The Third Critique is one of the strangest books in Western philosophy. Kant arrives at it after the great architectonic achievements of the First and Second Critiques, and he sets himself a problem that, in some...
Disinterested Pleasure and the Strange Universality of Taste
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Anonymous
Helpful summary. I'd push back gently on the second half, but I'll save that for a longer comment when I have time.
Anonymous
You handle the conventional objection cleanly. The newer (and to me harder) objection from {AUTHOR} doesn't appear here — is that deliberate scope, or just space?
Anonymous
The framing in §2 is the strongest part. Have you considered how this generalises to {EXTENSION}?
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